A Spider-Man Podcast
A lot of people are excited that Disney and Marvel Studios now have control of X-Men and Fantastic Four characters, but savvy fans know what happens when you’re in control
Spider-Man/Deadpool #22 marks the end of the first era of the title, with guest writer and artist Elliot Kalan and Todd Nauck’s “It’s a Murder, Murder, Murder, Murder World” leading
What to say about about yet another filler issue of Spider-Man/Deadpool? I’m not sure if it’s even fair to call them filler issues at this point; almost half of the
In the past year, a lot of digital ink has been spilled about what is “wrong with Marvel.” A lot of the answers provided are all over the board, and
Last month’s Spider-Man/Deadpool was a pretty big disappointment. While it wasn’t quite the lowest point of the series (it will be hard to surpass Penn Jillette’s Spider-Man/Deadpool #11 in that
Fill-in comics are never expected to be good. They can be, but generally they do little more than give you something to pick up so the title doesn’t lose money
On the other side of the playground, Mark wrote in his review of Amazing Spider-Man (vol. 4) #28 that “we can never expect a true resolution from comics,” that serialized
After a three issue break brought to you by the Deadpool cross-over event, Joe Kelly and Ed McGuinness return to deliver Spider-Man/Deadpool #17, the penultimate issue of the Patient Zero/Itsy
Each “storyline” issue of Spider-Man/Deadpool inches closer to a conclusion and I long for the lightening, manic pace of the opening arc. Perhaps the denouement started too early (I would place the
We never see Spidey make any New Year’s resolutions, probably because he takes it soo seriously. (Hawkeye: “I’m gonna eat less red meat”. Spidey: “No One Dies!”) And if you
