Amazing Spider-Man #790 – REVIEW
The “big two” comic book publishers are often loathe to label a new branding initiative a “reboot” but the fact of the matter is that Marvel’s “Legacy” event marks one
The “big two” comic book publishers are often loathe to label a new branding initiative a “reboot” but the fact of the matter is that Marvel’s “Legacy” event marks one
In many ways, the “Parker Industries” storyline arc has been writer Dan Slott’s most controversial one yet — which is pretty shocking when you consider this is the same writer
Those who are not up to speed on their proverbial turns of phrase should note that a gordian knot references a highly complex tangling of rope that was deemed impossible
If, after 10 installments, you still haven’t had enough of the latest Spider-Man-centric mega-event “Dead No More: The Clone Conspiracy,” then Clone Conspiracy: Omega by Dan Slott and Christos Gage, with art
Last month I shut Spider-Man/Deadpool #1 and thought “what more could I ask for in a book?” The obvious answer should have been Spider-Man/Deadpool #2, but hey, I didn’t know Kelly and McGuinness
I’ve had a rather strange relationship with the first four issues of the all-new Amazing Spider-Man as my reviews of the series seemingly reflect a person who’s going way too far out
The burning question that has seemingly stalked this new volume of Amazing Spider-Man since its launch in October is can a story about a wildly successful Peter Parker be considered a “true” Spider-Man story.
After turning the Spider-Man world on its ear with one of the most dramatic status quo shifts in the character’s history two weeks ago, there was definitely a lot of
A wise old, 1960s-era fictitious ad man once said, “if you don’t like what’s being said, change the conversation.” When the new status quo for Amazing Spider-Man was announced months
Two fans and collectors (Dan Gvozden and Mark Ginocchio) discuss the Spider-Man comic universe in a show that looks to the past, present, and future of Spider-Man. In this 18th