A Spider-Man Podcast
Does Dan Slott read Spider-Snark? Is it even up for debate? Way back in Spider-Snark #006, we joked that characters like The Rose and Ashley Kafka (and even the spider-verse
The past several issues of both Amazing Spider-Man and Dead No More: The Clone Conspiracy have done well to fill in the gaps, lay a framework for the ongoing Spider-event du jour, and to
Prowler is a man looking to establish an identity of his own. “I’m not a good guy,” he tells one character while later telling another “I was never a bad
When The Clone Conspiracy retconned Gwen’s death, giving her a heel turn, some were shocked, but I was amazed! Great idea, but why stop with Amazing Spider-Man #121? Let’s retcon it
Ever since the beginning of writer Dan Slott’s pronounced run on the Amazing Spider-Man title both he and the Spider-Office editorial team have built into the publishing schedule a major, yearly Spider-Man
Even a cursory glance at the cover of Amazing Spider-Man (vol. 4) #19 is enough to fill any Spider-Man reader with dread. Artist Alex Ross’s paints conjure a moody, twilight
Where are the Tie-Ins?? Typically, an event the size of “The Clone Conspiracy” would have already delivered solicits for hundreds of dollars worth of one-shot and mini series purchases. But so
If there are just two things that writer Dan Slott is exceptional at doing in the pages of Amazing Spider-Man they are raising the stakes before a line-wide event or major status
If you scoffed at Peter Parker’s rather immediate adoption of the mysterious, villainous-looking, cloned organ-making company New U in the previous issue of Amazing Spider-Man, then writer Dan Slott and fill-in penciller R.B.
I’m always fearful of reading stories specifically billed as the prelude to any major event story in the pages of Amazing Spider-Man, though perhaps my apprehension is a bit misguided. Sure,
