A Spider-Man Podcast
SPOILER WARNING: This review contains MAJOR spoilers for Civil War II #3. While there are visibly recognizable characters in this comic book, Civil War II #3 seems like a story
While Marvel is making big waves regarding upheaving its status quo in its main Civil War II event book, Christos Gage and Travel Foreman are taking a quieter, more localized approach within the pages
After many years of wondering about the ultimate function of Spider-Woman in the Marvel Universe, I can’t help but think Jessica Drew has finally found her place. While many others question who our
Spidey #8 brings Electro to the Spider-Man themed, new-reader-friendly party. Of course it’s the old, starfish-on-his-face Electro, but Max Dillon seeks to light up the wallcrawler’s life (and not in a
Annuals can be a mixed bag. They’re generally oversized releases, often with a guest artist and/or writer, and are usually separate story-wise (or even in tone) from whatever narrative is
Carnage continues to be the recipient of the “I really didn’t expect this comic book series to be about this” award. But at some point, in the midst of all
I’ve loved and championed this series since the beginning, but it’s also frustrated me from time to time. Spider-Man #5 managed to deliver on both fronts. On the plus side, I thought
We often find out what kind of people we are at the strangest times in our lives. Be it during a classroom exam, on the field or the mat during
Spider-Man/Deadpool #6 kicks off regular writer and artist duo Joe Kelly and Ed McGuinness’s two week vacation while they take some time to get everything ready for the next big story arc. Stepping
Web Warriors #8 delivers part two of the “Tangled States” storyline as writer Mike Costa and artist David Baldeon swing into action trying to reunite the scattered collections of webslingers from across
