A Spider-Man Podcast
SPOILER WARNING: This review contains MAJOR spoilers for the Civil War II series. I’ve lost track of when the last issue came out. Thankfully, what I do remember about Civil War II #4 is
If there are just two things that writer Dan Slott is exceptional at doing in the pages of Amazing Spider-Man they are raising the stakes before a line-wide event or major status
There’s that fantastic line in Spider-Man #2 when Miles says, “I don’t want to be the black Spider-Man. I just want to be Spider-Man.” I loved that scene, and as I’d mentioned in
In terms of obligatory Spider-Man tie-ins to larger Marvel events, the Civil War II: Amazing Spider-Man miniseries by Christos Gage and Travel Foreman, has been a pleasant surprise, in large part because
After setting a strong stage for a new direction and tone in the previous issue of Silk, the narrative takes a turn for the strange, as Cindy and her friends
How many cameos does it take to make a struggling book more interesting? In Spider-Man 2099 #14, Peter David and Will Sliney use their great world-building skills to reveal more of a universe that will
Spidey #10 continues the comfortable continuity that has been building throughout the series as writer Robbie Thompson and artist Nathan Stockman bring Captain America in for a visit. Cap’s appearance provides
“I’m ridiculous. This has always been ridiculous. But at least it was something. Wasn’t it?” I loved this line, because it sums up how I feel about the character and
Cards on the table: I’m not interested in Civil War II and was dreading the plot gymnastics orchestrated to drag Miles into Marvel’s latest event. That’s why I was pleasantly surprised to
If you scoffed at Peter Parker’s rather immediate adoption of the mysterious, villainous-looking, cloned organ-making company New U in the previous issue of Amazing Spider-Man, then writer Dan Slott and fill-in penciller R.B.
