Venom #155 – REVIEW
With the start of “Marvel Legacy”, I can’t help but wonder why Venom returned to its highly-dubious “Legacy numbering” five months ago, as opposed to this month. It’s not as
With the start of “Marvel Legacy”, I can’t help but wonder why Venom returned to its highly-dubious “Legacy numbering” five months ago, as opposed to this month. It’s not as
I’m of two minds on the finale to “Predators”, which segues directly into the much-anticipated “Gwenom” arc. On the one hand, a number of plot threads are seemingly introduced and
It would be fair to say that my favorite issues of this new Venom run have been those that have played with the traditional narrative and approached the characters from
And now for something completely different. If you aren’t familiar with Hannah Blumenreich, she’s the artist behind the appropriately-titled Spidey-Zine, which depicts slice-of-life misadventures of a newly-minted Spider-Man interacting with
In my most recent review of Spider-Gwen #22, I was impressed that several disparate plot threads from earlier in its current storyline came together thematically as the story neared its
Spider-Man has his Uncle Ben moment, and we’re all used to it being revisited and reexamined in some fashion or another, to varying degrees of success. What’s not pointed to
Isn’t this where we came in? Last month’s issue tossed a new, if esoteric, conflict into Venom’s lap, while also hinting that there may be more than just domestic disharmony
Every superhero will have their fair share of stories where the odds are overwhelmingly against them, but it’s hard to think of a character that more readily takes to that
For as popular a figure as he was in the 1990’s, Venom didn’t really amass that large (or impressive) of a rogues’ gallery in his own title. Sure, he shares
No matter what continuity you’re in, it’s a trademark of the Osborn clan to royally tick off every faction they come in contact with, and it usually rains hell down