A Spider-Man Podcast
After kicking off Carnage’s second arc last month with a intimate character-centric story that introduced Jabulile Van Scotter to the crazy, mixed-up world of Cletus Kasady, Gerry Conway and Mike Perkins use Carnage #7 to
Five issues into his work on Spidey, writer Robbie Thompson brings in the Green Goblin. That choice brings along some extra characters, like Norman Osborn and his son, Harry. Sure,
Marvel events are often like the latest restaurant opening in town, overly hyped and not quite right. However, “Spider-Women” continues to prove itself to be a smaller concentrated event that utilizes the
Did someone say anthology series? As part of a push to expand toward digital distribution, Marvel has been releasing a few “digital first” series over the past few months, with A
I usually have serious issues with crossovers. They tend to mess up the established narrative flow of the titles involved, they can be unwieldy and difficult to collect, and oftentimes
The fourth issue of Joe Kelly and Ed McGuinness’s Spider-Man/Deadpool certainly delivers on the bromance promised by the name of its first arc. Though it’s a little light on the action, knockdown
In the modern age of comics, it almost feels late in a title’s run that a crossover with other books would happen during issues #7 and #8, as opposed to either starting out of
Artist Nick Bradshaw drew the cover for Spidey #4, but the interiors are drawn by Andre Lima Araújo, with colors by Rachelle Rosenberg. The transition isn’t as jarring as the once-infamous Doom
Writer Mike Costa and artist David Baldeon take a breather from their five-part series opener to give readers a (mostly) done-in-one issue with Web Warriors #6. Most of the team of
If you somehow missed the memo, Radioactive Spider-Gwen #7 is actually part 2 of the “Spider-Women” crossover event that kicked off earlier this month with Spider-Women Alpha. That said, you can easily jump in here
