A Spider-Man Podcast
Spider-Man #15 has proven to be a study in contrasts for me. On the one hand, it takes one of the elements that really tends to work for these kinds
Last month’s issue of Amazing Spider-Man: Renew Your Vows served as an excellent close to the first chapter of writer Gerry Conway and artist Ryan Stegman’s story. So, imagine my surprise when I opened up Amazing Spider-Man:
Each “storyline” issue of Spider-Man/Deadpool inches closer to a conclusion and I long for the lightening, manic pace of the opening arc. Perhaps the denouement started too early (I would place the
As you have noticed, the format for the Superior $ales-Talk has changed somewhat. The old format was disorganized, requiring readers who were only interested in keeping up with a few
It is relieving to see an arc’s payoff justify its choices. While last issue might have put a few doubts into readers’ minds, Gerry Conway and Ryan Stegman put those worries to
It was just last month when I was praising James Latour’s continued ability to make the “Spider-Women” crossover a relevant part of her mythos and not just a commercial crossover. Since then,
Back from their second hiatus, the dream team of Joe Kelly and Ed McGuinness return to deliver a Spider-Man/Deadpool story straight out of Weirdworld. For those who might not be exactly in the know, Weirdworld was
Committed to making this title more focused on the Parker family as a collective rather than Spider-Man and His Amazing Family, writer Gerry Conway follows the same basic formula laid out from the issue
The December numbers are in, and things aren’t really looking so hot. But before we dive straight into the numbers, let’s talk about Marvel’s Executive Editor and Senior Vice Editor
SPOILER WARNING: This review contains MAJOR spoilers for the Civil War II series. Sigh. At least Civil War II is over now. Unfortunately, Brian Michael Bendis could have ended this thing six months ago.
